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Unsolved Crimes & Avenging Angels: Author and Buffalo Native Robert Brighton Weaves Local Lore Through Gilded Age Fiction (Podcast Included)

Author and Buffalo native, Robert Brighton knows how to tell a good story.  A former speech writer, graduate of the Sorbonne in France, and avid traveler, Brighton’s experiences have enriched his imagination, and have informed his love of research.  His new work of historical fiction, Current of Darkness, is now available, and is, in Brighton’s words, “a tale of industrial espionage set in turn of the last century Niagara Falls, and also in Buffalo,” during the period known as The Gilded Age

Growing up in Buffalo, Brighton was a voracious reader, who took to adventure novels as a way to explore the world, and satiate his desire to travel.  He obtained a degree in mechanical and aerospace engineering, and worked for DuPont as a speech writer.  It was at that position, walking up the stairs that Brighton decided he wanted a different kind of life afforded by a 9-5 job. 

“I was walking up these wonderful stairs inside the DuPont building. It’s an art deco building. Even the stairs are all marble. You know, it’s beautiful. And what I noticed, as I was trudging up the stairs to the 9th floor, was that these hard marble stairs had been worn. That they had a dip or a divot worn in them by the passage of countless feet, innumerable feet, going up and down these same stairs over…however long it had been around. It hit me with the force of an epiphany, that I was just another pair of feet wearing my tiny little grain of marble away, up and down those stairs. And I thought that’s not the way I want to live my life… By the time I got to the 9th floor, I’d resolved that I would sell everything. I would quit my job and travel around the world with a backpack on my back, and that’s what I did.” 

Brighton traveled the world, and returned home, but felt the call to become a novelist. “I just decided that while I had done a lot of writing in business and some for fun, I just got to the point where I thought, ‘You know, if my whole life passes by, and I’ve never really tried this, I think I would feel the same way I felt when I was walking up those stairs in the DuPont building. That I had somehow squandered the most precious gift of all, and that’s the gift of time, the gift of our lives… So, in the little time that I’m here, I want to make the most of it.”

In order to start to prepare to write, Brighton did some primary source research.

“I picked 3 Buffalo newspapers and one New York City newspaper. and I read them from 1898 to 1902… I mean articles, op ed, ads, comics, whatever. I read. I read all those newspapers cover to cover. It took four years. And by the time I was done, I had really been steeped in the vernacular of the time…I finished the 1902 newspaper, and I was really sad when I finished reading the last page of the last newspaper in 1902, and I thought ‘Oh geez, you know, I’ve got to stop this research and get serious.’ And then I decided that I would just read a couple more months. ‘I’m going to open up 1903, and do a few more months.’

So, I get to February 1903, and I trip across, quite by accident, the biggest unsolved crime in all of Buffalo’s history… So, I resolved that my first book, The Unsealing, would be the fictionalized solution to this famous case,” said Brighton, adding, “Well, I needed a detective. And so, I don’t know how these things happen, but Sarah Payne, who’s my heroine and lead detective for the eventual Avenging Angel Detective Agency, which is a series that got going, you know, just sort of knocked on my door one day and announced herself, and inserted herself into this project.” 

LISTEN TO THE FULL INTERVIEW:

WNY Soundstage
Gilded Age Crime Novels: Conversation with author Robert Brighton on what inspired him to weave local lore through historical fiction




00:00
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00:36:44


Download file | Play in new window | Duration: 00:36:44 | Recorded on April 23, 2024

The Unsealing was followed by the second book in Avenging Angel Detective Agency series, A Murder in Ashwood, and the recently released Current of Darkness. The historical fiction series is set in the Buffalo/Niagara region, and features recurring characters, including the aforementioned Sarah Payne. Fans of the series are thrilled to see the characters return, and excited to more deeply dive into the history of the region.  Brighton believes that people like his characters because they are, “people that have extraordinary gifts in some dimensions, but also are very ordinary people in many others. They’re people that you would want to get to know. They’re people you’d want to spend time with, they’re people you’d want to maybe learn from, and there are some things that they can probably learn from us. I think the charm of The Avenging Angels Detective Agency lies in the fact that they are very real people and warts at all, and they’re people that my readers seem to want to keep learning about as they go.” 

According to Brighton, readers can start with Current of Darkness, or can begin with The Unsealing to start the series. “I’m writing standalone books too [like The Buffalo Butcher], so it’s not just [Avenging Angels Detective Agency ] series, and I specifically designed the series so that people don’t have to start at the beginning, and read them all in order. You could drop in anytime. They’re all free standing. You’ll be rewarded if you start at the beginning. You should have a deeper understanding of the long arc of these characters’ lives, but at the same time you don’t have to.”

Robert Brighton’s next book, The Phantom of Forest Lawn, will be released in the fall, just in time for Halloween. His books are available at all retailers. Here’s a link to his Amazon Author page: Robert Brighton, Author

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Salsa in the Park: Outdoors Summer Dance Party 2024

Since 2008, “Salsa” Sarah Haykel, Director of Salsa for the Soul, a part of Love Is Real LLC., set out to establish a dance party in Delaware Park. Eleven years later, her vision to create a fun-loving dance social is as strong as ever. Now, with the help of her dance partner Jerome Williams, Salsa in the Park is more impactful than ever. Haykel attributes the success to movers and shakers that participate in the dance series, which, she says, is a combination of art, music, life coaching, movement, mindfulness, and empowerment.

Salsa in the Park, open to dancers of all abilities, kicks off with a beginner’s partner dance lesson, followed by open social dancing to Salsa, Timba (Cuban Salsa), Bachata, Merengue, Cha Cha Cha, and Kizomba. Anyone who is interested in the love and art of Latin dance is encouraged to try their hand at this motivational dance experience. The event series is open to beginners, singles, employee outings, groups of friends, and families. It’s a great way to meet new friends, share common interests, and witness some talented Latin dancers who are happy to share some valuable tips when it comes to the art of the dance.

“Singles and couples welcomed to attend, no partner necessary. It’s a great date night idea!  Prepare for an awesome night out in one of Buffalo’s most beautiful locations, The Rose Gardens Pavilion, Delaware Park. See why Salsa in the Park has become one of Buffalo’s most beloved summer events. Partner dancing is an amazing way to socialize and meet new people, get exercise in a fun and social way, and be in a beautiful outdoors setting during the magical summer’s in Buffalo!” – Sarah Haykel

11th Annual Salsa in the Park, 2024

Starts Monday, June 3rd.  No partner necessary.  Groups and families welcome.

Weekly on Mondays between June 3rd – July 8th (six consecutive events), 6:30-9PM. Plus, Grand Finale Party August 19th (RAIN DATE: Aug. 26th), 6:30 – 9:30PM. Please bring your own water bottles.

$15 General, $10 for Students with current student I.D. Includes a dance lesson for beginners and dance social to follow, so you can practice your new moves. Grand Finale Party August 19th (RAIN DATE Aug. 26th) with live Latin music by Sol Y Sombra, tickets $20 general public, $15 for Students with a current student I.D. Children under 10 years old free of charge and must be supervised by an adult at all times.

Salsa in the Park Details:

Mondays June 3rd – July 8th 6:30 – 9PM, Grand Finale Party Aug. 19th:

June 3rd: “Salsa” Sarah’s Birthday Party & Merengue Dance Lesson

June 10th: Bachata Dance Lesson

June 17th: Salsa Dance Lesson

June 24th: Merengue Dance Lesson

July 1st: Bachata Dance Lesson

July 8th: Cuban Rueda de Casino Salsa Dance Lesson with Buffalo Rueda

August 19th: Grand Finale Party with live Latin music by Sol y Sombra (RAIN DATE AUGUST 26TH). *See stars below for details about the Grand Finale Party.

Event Details: Each event is on a Monday night and will start at 6:30pm with a beginner dance lesson for 30-minutes. No partner necessary. Open social dancing will follow from 7-9pm, where you can practice your moves and meet other dancers.

Ticket Sales: ONLINE & IN PERSON TICKET SALES. Tickets will be released online at 3:30PM the day of each event. Go here to purchase tickets online the day of each event: www.sarahhaykel.com/salsainthepark.  People can pay in person at the door starting at 6:15PM the day of each event via cash, Venmo or Cash App.  

Event will be canceled in the case of inclement weather by 3:30PM the day of the event.

The Rose Gardens Pavilion at Marcy Casino, Delaware Park, 199 Lincoln Parkway, Buffalo, N.Y., 14222. Parking on Lincoln Pkwy or Rumsey Rd.

Lloyd Taco Factory will have a taco truck at every Salsa in the Park event, with tasty food and cool drinks for purchase.

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Ride Reels: Happy Hour and Film Screening

The bike, oft-called “Our noblest invention of mankind,” is being celebrated throughout the month of May, aka National Bike Month. Leading up to the month-long celebration, GObike Buffalo will be presenting Ride Reels: Happy Hour and Film Screening on Thursday, April 25 (5:30P – 8:30P) at the Burchfield Penney Art Center.

Presented by Evans Bank, with support by Clean Mobility Buffalo and Burchfield Penney Art Center, the single screening of long-form documentary, THE ENGINE INSIDE from Anthill Films.

Screening attendees will get to enjoy yummy treats from Manna @ Northland, as well as beer and wine during a pre-film networking event. The schedule is as follows:

5:30 – 6:30 PM Networking Happy Hour – Drinks and appetizers served
6:40 – 6:50 PM Opening Remarks
6:50 – 8:15 PM Screening in tha auditorium
8:15 PM Have a great night and ride safe!

Tickets are $30 (open bar and food). Click here for more information, and to register.

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Celebrate Spring at the 11th Annual Buffalo Cherry Blossom Festival

For over a decade, enthusiasts of the Buffalo History Museum and Japanese culture have been flocking to the annual Cherry Blossom Festival. Each year, thousands of visitors to the Festival are treated to all sorts of culturally significant surprises, including displays and activities that revolve around the traditions of bonsai, origami, folk dolls, and Kanazawa (Buffalo’s sister city in Japan).

During the weekend of April 27 and 28, festival hosts – the Buffalo Olmsted Parks Conservancy, The Buffalo History Museum, Friends of the Japanese Garden, the Buffalo AKG Art Museum, and Music is Art – invite the community to attend this one-of-a-kind celebration of the spring season and cherry blossoms in the Japanese Garden in Delaware Park.  

Visitors to the 2024 Buffalo Cherry Blossom Festival can expect to find:

Pink boats on Mirror Lake

Music is Art’s stages of live music in the Japanese Garden

Pop-up tea ceremony on the museum’s upper portico.   

Two Japanese Tea Ceremonies and Tea Tastings at The Buffalo History Museum on Wednesday, April 24 (now sold out)

Food trucks

A sold out fundraiser, benefitting the residents of Kanazawa, which suffered a devastating earthquake in January of this year – the sold out event is a testament to the strong bond between Buffalo and Kanazawa

Festival details are as follows:

Saturday, April 27th – Sunday, April 28th | 11:00am – 3:00pm  

Japanese Garden in Delaware Park and The Buffalo History Museum 

One Museum Court, Buffalo, NY 14216 

FREE Admission

For a full schedule, visit: www.buffalocherryblossomfestival.org 

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Quickies: A Different Kind of “Speed Dating”

On Thursday, April 25 from 7pm to 9pm, Our City Action Buffalo (OCAB) will be hosting a community building event where attendees might find a new love, friend, or even business collaborator. Considered “the most out-of-the-box networking/speed dating event you’ve ever been to,” Quickies will allow people to make introductions via team building exercises, in a setting that is both relaxing and comfortable.

This is the perfect event for anyone looking to make new friends, through socially engaging exercises. Proceeds from the community building initiative will benefit OCAB – a grassroots, member-driven organization that is dedicated to building a more equitable and racially just Buffalo.

“As an organization, we’re trying to build deep and meaningful connections in order to create a more just, equitable, and resilient Buffalo. This event mirrors that mission by inviting Buffalonians to get to know each other in a more relaxing and fun environment,” said Leighton Jones, OCAB’s Communications Coordinator. “Whether you’re an entrepreneur looking for a new business collaboration, new to the city and looking to meet really good people, or you’re someone who is looking for love, you’re in the right place. This event is for you.”

Quickies: A Different Kind of “Speed Dating”

Thursday, April 25, 2024

7pm to 9pm

The Lunch Box @ Lafayette Court – 465 Main Street Buffalo, NY 14203

Tickets are $35 presale through Eventbrite or $40 at the door. Admission includes all the evening’s festivities along with prepared foods from The Lunch Box. There will be a cash bar available as well.

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2024 Juneteenth Festival Goes Green

Festivals can produce a lot of waste. Just think of the boatloads of single use plastic cups and bottles, and the food containers. Not to mention the litter in our parks. That’s why the Juneteenth Festival organizers are asking attendees to bring their own reusable water bottles, as well as canvas bags to carry the items that they purchase. As the Festival approaches its 50-year anniversary in 2025, the message is clear that the condition of the planet is of utmost importance.

“As we approach our 50th anniversary in 2025, our goal is create a majorly impactful event,” said Jomo Akono, Juneteenth Festival’s Executive Vice President. “We are excited to embark on this sustainable journey towards zero waste and set a new standard for community celebrations, while also, of course, sparking change towards practices that preserve our planet for future generations.”

People who support this inspiring green initiative are invited to volunteer for the Festival’s newly formed Green Team and Clean Up Crew. To sign up as a volunteer, visit www.buffalojuneteenth.com (Join Our Team). Additional contact information, including a QR Code, can be found on the flyer below.

The 2024 Juneteenth Festival will be held at Martin Luther King Park on June 15 and June 16.

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Can Buffalo resurrect Calvert Vaux’s lost works?

Anyone that is aware of Calvert Vaux’s architectural legacy in Buffalo can tell you what an incredible impact he made upon this city. Unfortunately, almost all of the intricate structures that bore his name are all but lost. The structures that I am referring to include The Parade House, a Rustic Bridge, Boat Landing Seating, The Farmstead, and Spirehead House. The only structure that remains standing, though still at risk, is The Vaux Barn.

Boat Landing, The Park

For anyone who ever thought about the possibilities of recreating one or two of Vaux’s lost works, Eugene V. Debs Hall will be hosting a Jane’s Talk – Vaux Revival – on Tuesday, April 23, 6 pm.

From Chris Hawley, owner of Eugene V. Debs Hall:

The talk will explore the significance of Calvert Vaux, the lesser known partner of Frederick Law Olmsted and co-designer of Buffalo’s park and parkway system.

Debs Hall is proud to host two speakers for this event.

Frank Kowsky, SUNY Distinguished Professor Emeritus at Buffalo State University and author of Country, Park, and City: The Architecture and Life of Calvert Vaux, will tell us everything we ever wanted to know about Calvert Vaux.

Brandon Kennedy, lead preservationist at Preservation Buffalo Niagara (PBN), will update us about PBN’s efforts to save the Vaux Barn, 1119 Genesee Street–the sole remaining Buffalo structure designed by Vaux.

Finally, they’ll have a discussion about a prospect that has been successfully pursued elsewhere but has long eluded Buffalo: reconstructing Vaux’s lost works. Can Buffalo do it?

Doors open at 6 pm, with presentations beginning at 7 pm. Jane’s Talk, modeled after the international Jane’s Walk in honor of urbanist Jane Jacobs, is Eugene V. Debs Hall’s ongoing speaker series on topics related to cities and the human habitat. 

Eugene V. Debs Hall 483 Peckham St, Buffalo, NY 14206

Lead image: Calvert Vaux and Frederick Law Olmsted

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BEETHOVEN’S EMPEROR with pianist Stewart Goodyear has both audience and musicians excited at Kleinhans

He’s an internationally in-demand pianist, a composer himself, and a very busy recording artist.  He makes Beethoven’s Piano Concerto No. 5, the “Emperor Concerto,” sound as fresh as a new work.  You can hear for yourself when the BPO concert repeats this Sunday, April 21, at 2:30 at Kleinhans Music Hall.  The “Emperor,” by my count, is historically the BPO’s most often performed piano concerto, more often heard than Tchaikovsky’s first or Rachmaninoff’s second.  It’s a winner, and so is the piano soloist Stewart Goodyear, who is just 46 years old.

Everything about Stewart Goodyear is energetic.  Beethoven’s tempo markings are notoriously fast and often debated, but, since the metronome was invented during Beethoven’s lifetime, it’s hard to argue with numbers that are right there on the page.  Goodyear, along with guest conductor David Lockington, charges right in with lightning-fast runs and a performance that leaves you breathless.

Well, not strictly out of breath, judging from the approving shouts of Saturday night’s audience.  The orchestra was happy too.  When they like a guest soloist, they wave their bows.  When they really like a soloist, they put down their instruments and applaud.  They really like Stewart Goodyear with whom they’ve recorded, with JoAnn Falletta, music by African-American composer Adolphus Hailstork.  On his own, Goodyear has recorded all five of Beethoven’s Piano Concertos and other Beethoven as well.  In fact, Saturday night’s encore was the second movement of Beethoven’s “Pathetique” sonata (familiar to older audience members as the theme music to Karl Haas’ radio program “Adventures in Good Music”).

The last symphony concert I attended, featuring “The Planets,” was conducted by JoAnn Falletta during the eclipse weekend when Kleinhans was packed with out-of-town visitors.  The atmosphere in the house was electric and I wondered if that enthusiasm would continue.  Well, it has.

It’s been four years since COVID-19 sent a chilling ripple, and sometimes it feels as if, like Sleeping Beauty, we’re just now finally out of a trance.  Speaking of which, the opening contemporary work at the concert was created during COVID-19 by Canadian-born, Juilliard-trained, now California-based composer Vivian Fung, also in her 40s.  Her “Prayer” was inspired by the music of the 12th-century Benedictine nun/composer/mystic Hildegard von Bingen.  It’s beautiful reminding me of the best gaming music being heard today.

As conductor David Lockington told us from the podium, “Prayer” was originally composed to be performed during the COVID-19 shutdown by a virtual orchestra made up of 35 musicians representing 28 orchestras across Canada and intended to be heard not in a concert hall but over your mobile phone.  You can hear that premiere orchestra, on your mobile phone if you’d like, conducted by Yannick Neget-Seguin:

 

As conductor Lockington said, it’s better in the live concert hall.  But isn’t that true of almost all music?  The big work in the second half was the stirring Symphony No. 2 by Finnish composer Jean Sibelius.  With its pulsing rhythms and brilliant use of woodwinds in the first movement along with the glorious brass-intense finale, it was an inspired choice to pair with the “Emperor” by Beethoven, another composer who, like Sibelius, championed personal and political freedom.

That winning combination of Beethoven with Sibelius will be heard again at another Saturday night – Sunday afternoon BPO series on May 11 and 12 when JoAnn Falletta conducts the BPO and Buffalo Philharmonic Chorus in Beethoven’s Symphony No. 9, the choral symphony which ends with the “Ode to Joy.”  Also on that concert, the BPO’s astounding concertmaster, Nikki Chooi, will perform the ice-cold windswept Sibelius Violin Concerto.

Speaking of Nikki Chooi, before that he’ll also be out in front of the BPO with his brother, Timothy Chooi, playing an audience favorite, the Bach “Double Concerto” before Timothy solos in Prokofiev’s Violin Concerto No. 1, a 20-minute work that has it all – sweet solos contrasted with wild musical romps.  Also on that program is one of Falletta’s (and probably everyone’s) favorite symphonies, Brahms 3rd.  That will be one of those Friday morning “coffee concerts” (with donuts!) / Saturday night affairs on May 3 and 4.

The runtime of most BPO classical concerts is 2 hours with one intermission.

Kleinhans Music Hall is at “3 Symphony Circle” Buffalo, 14201 where Porter Avenue, Richmond Avenue, North Street and Wadsworth meet at a traffic circle.  Visit www.bpo.org or call 716-885-5000.  Full-service bar in the lobby or across the lobby in the Mary Seaton Room.  Masks are optional.

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“The Price” at Irish Classical Theatre: Powerful Performances Create A Gripping Family Drama

The Basics: The Price, a play by Arthur Miller, directed by Fortunato Pezzimenti, produced by Irish Classical Theatre Company starring Ben Michael Moran, Kate LoConti Alcocer, Tom Loughlin & Todd Benzin. Running Friday, April 19 through Sunday, May 12. Curtain times are 7:30 pm on Thursdays, Fridays, and Saturdays; 3 pm Saturday Matinees; and 2 pm Sundays. The Theatre is located at 625 Main Street ,Buffalo ,NY 14203.

Tickets are $45 and can be purchased online at www.irishclassical.com, by phone at 716-853-4282 or in person at the ICTC Box Office. See Box Office hours on ICTC’s website.

Runtime: 2 hours and 20 minutes including one intermission

Jorge Luna Photography

Thumbnail Sketch: One of Arthur Miller’s rarely produced but powerful plays, The Price introduces us to Victor and his estranged brother, Walter, as they reunite after 30 years to sell their parents’ estate. Surrounded by the individual motives of Victor’s wife and an octogenarian antique dealer, tensions rise as Victor must face the sacrifice he made for his father.

The Players, The Play, and The Production: There are four actors in this play and an exquisite set (by David Dwyer) the whole production draws you in from the moment the play begins. I attended the Friday Night (4/19) performance, and the audience was fully engaged with many leaning forward and intently hanging on every word uttered for the full duration of two hours and twenty minutes.

The Price was written in 1968 (the year of my birth) nearly fifty six years ago, holds up very well and especially in the extremely capable hands of its director, Fortunato Pezzimenti and this exceptional cast. 

This is the fourth production of this lesser produced play of Arthur Miller works that I have been lucky enough to experience. The last time I saw this play it was at The Roundabout Theatre Company’s 2017 production with a truly star studded cast (Mark Ruffalo, Danny Devito, Jessica Hecht and Tony Shalhoub) It was a hit, garnering several theatre award nominations and accolades for Mr. DeVito, in the role of Gregory Solomon, the 89 year old Jewish furniture dealer that comes to possibly buy the entirety of the brother’s inherited estate.

Walking in to this production, the bar was set high. I had great expectations for this production here in Buffalo. Confidently, I can say that The Irish Classical Theatre Company has once again exceeded my expectations.

This piece demands the actors have presence: the quality that compels and suspends the watchers. These fine actors not only hold our attention, but make us feel like we are eavesdropping in on this intimate conversation so much so that at times we forget we are watching a play. As the audience, we become invested in the characters’ lives and their unfolding story.

Ben Michael Moran as Victor Franz

Ben Michael Moran is our protagonist, Victor Franz. This is the third show I have had the pleasure of seeing Mr. Moran in, and I am impressed by his chameleon like ability to morph into different characters so authentically. I almost didn’t recognize him at first when he stepped silently onto the stage in a police uniform, and we see him root through Victors’ Fathers furniture and belongings. As Victor waits for Mr. Solomon, preparing for the sale and you can see each piece he holds evoke untold memories. His emotions play across his handsome face and you are instantly hooked. You need to know more. Ben is exceptional in this role, I would gladly watch him in anything.

Kate LoConti Alcocer as Esther Franz

Next, Esther Franz enters the room, played by the stunning Kate LoConti Alcocer. Kate commands the stage and is a striking performer. You can feel Ester’s anxiousness for Victor to get a great price for the lot of furniture so they can live a more comfortable life. They are waiting for the furniture dealer to evaluate the items and it becomes clear that the cost of what his Father left him is much harder to nail down than Victor had anticipated.

Victor & Esther seem solid, the actors feel very natural as a couple as you would imagine a couple who have been married a few decades.

Tom Loughlin as Gregory Solomon

The letter-perfect Tom Loughlin as Mr. Solomon, we are told after climbing a long flight of stairs and enters the mix. He is short of breath, seemingly feeble, but exuberant, long-winded, and exhausted all at the same time. Honestly, he was so delightful and mesmerizing in this role and the perfect foil for Victor. Their scenes together are certainly a highlight of the play.

Our final player, Walter, Victor’s older brother, arrives next on the scene played by Todd Benzin. I have never seen Todd on stage before, but I am so glad this was my first introduction. He matches the incredible cast on stage and really raises the stakes. Victor struggles, trying to reimagine his life choices through his brother’s perspective and we as the audience struggle along with him. 

Todd Benzin as Walter Franz

The brother’s arguments begin to center around their late father’s unoccupied chair (the fifth abscent character). The exchanges are tense and emotional. These are some of the most gripping scenes I have ever witnessed on a Buffalo stage.

Equally impressive, Esther (Played by Kate LoConti Alcocer), I couldn’t take my eyes off of her, as she was on the verge of tears and fear that Victor was going to blow up all of the opportunities and possibilities for the two of them to embark on a new chapter of life. 

There is as much emotion in Miller’s words, as there is in the silent reactions by these fine actors. This play is set in the 1960’s in New York City, it’s a very specific place and time, however in the steady and sure hands of its director, Pezzimenti, there is a commonality to the exploration of memories, shared experiences and even money problems. 

In the end, each of the characters has paid a price and it is both fascinating and devastating to watch. If you’re looking for a fine night of theatre that leaves you on the edge of your seat, literally, don’t miss a moment of The Price at ICTC.

5 out of 5 Buffalos

HERD OF BUFFALO RATING SYSTEM

FIVE BUFFALOS: Exceptional quality – a rare rating. Whether it’s a hilarious comedy or a touching drama, if this is your kind of show, missing out would be a mistake!

FOUR BUFFALOS: Both the production and the play are of exceptional quality. If the genre and content match your preferences, it’s worth seeing.

THREE BUFFALOS: Despite minor drawbacks, it’s a solid production and a pleasant evening at the theater. Keep your expectations in check, and you’re likely to have a good time.

TWO BUFFALOS: If you’re a self-proclaimed theatre enthusiast who simply adores attending shows, go ahead and give it a try. However, if the genre and themes don’t resonate with you, you might want to explore other options.

ONE BUFFALO: This might not be the best choice for everyone unless you have a compelling reason to attend, like having family or friends involved in the performance. It’s probably a good idea to skip this one.

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The Art of Cheese at Meet & Eat Charcuterie

Kristen Cronyn, owner of Meet & Eat Charcuterie / Photo: WNY Photos (Facebook)

The art of charcuterie has become such a trend that there are cookbooks, classes, and guides on how to create a piece of edible art for your next party, event, or girls night. A good charcuterie board has a little sweet, a little salty, a variety of cheeses and meats, and a range of spreads and accoutrements. Food art isn’t everyone’s forte, but Kristen Cronyn is here to help the Buffalo community become board masters. It all started a few years ago…

“I was an executive at M&T for 10 years. Three years ago, during the pandemic, I started playing with my kids’ food, making boards out of pancakes,” Kristen said. “I’d post them on Instagram and people would just go crazy because I would arrange them like a charcuterie board. A well-known Peloton instructor named Ally Love shared one of my pancake boards and from there I got all of these followers.”

After that, Kristen was at a bachelorette party when she decided to make a board. “I’m at Mom, so I was the first one awake. I came downstairs and thought I would make one for the girls,” Kristen said. “I made a board and one of the girls was a wedding planner. She’s like, ‘this would be really cool to have for when the bridesmaids get ready’” she continued. “The bride was like, ‘I’ll have you do this at my wedding and I’ll pay you’. I was like, ‘you’re going to pay me?!’” The morning of the wedding she did the board for the bride and her bachelorette party, and the make up artist actually ended up booking her for her own wedding a year later. That’s when things really started to snowball.

Photo: Meet & Eat Charcuterie (Instagram)

Photo: Meet & Eat Charcuterie (Instagram)

Photo: Meet & Eat Charcuterie (Instagram)

“I started doing this more and more on the side, doing Reels and tutorials on Instagram, and started sharing what I was learning with other people,” Kristen said. She even partnered with Shea’s during the pandemic to do a virtual charcuterie class. “I personally delivered the kits and we had 65 people sign up. We did Buffalo shaped boards and raised $2,000 for Shea’s! That moment really gave me a feeling that I’ve never felt before and I needed to do that again,” Kristen explained. She’s gone on to do around 100 classes, many of them fundraisers, even before the grand opening. 

Kristen softly opened Meet & Eat Charcuterie this year, with the grand opening happening on April 20th. Meet & Eat was created as a way to bring the culinary community of Buffalo together, sourcing local products, mustards, jams, cheese, and more for beautiful charcuterie boards. The beautiful mural of Kristen’s Buffalo skyline made of cheese, art sold in store, and the charcuterie earrings are all thanks to the talented Christy Francis of Avery & Harlow. She sells Weber’s Mustard products, Sadie’s Hot Relish, Top Seedz crackers, cheese blocks and knives by Seven One Six Design Co., Latina Boulevard Foods, Tis the Season NY, and much of the cutting boards and furniture in the store were made by Nickel City Woodworking. In addition, Leslie Zemsky even created her custom charcuterie board wallpaper (the same woman behind the customized wallpapers in places like Space on Seneca Yoga Studio, Toasted, Hydraulic Hearth, and Swan Street Diner, among others).

Meet & Eat Charcuterie’s wallpaper designed by Leslie Zemsky / Photo: Jess Kelly

Charcuterie board earrings by Christy Francis of Avery & Harlow / Photo: Jess Kelly

“I’m big on community over competition. We put the community first and ask what the community needs? I partner with a ton of other charcuterie people in the area, so that if I can’t do something, I’m happy to send them to someone else, so we can serve the community.”

One of those partnerships meant teaming up with a former Buffalo Bill. Thurman Thomas and his wife, Patti, produce a wine named Choose Love. Every bottle that you buy goes back to the Buffalo Urban League. “We’re going to soak the cheese in the wine and create a Choose Love Cheese with Eden Valley Creamery Cheese,” said Kristen.

When it comes Meet & Eat’s experiences, not only will Kristen create the boards for you, but you can learn the craft yourself in her event space – the Western New York Cheese Academy. 

“I had a dream that I carved the Buffalo skyline out of cheese. It was a vivid, lucid, freaky dream, the kind when you wake up and wonder if you really just did that. I came downstairs, grabbed a bunch of Swiss, cheddar and provolone and carved the skyline out of cheese, using a Buffalo cookie cutter in the brie, and it went viral,” Kristen explained. She ended up with around 60 orders just for the skyline board alone. “Then I started doing classes – a lot of corporate team building – teaching people how to do the Buffalo skyline carving. I decided to stick with classes because that’s really what I enjoyed, and from there it just kept growing,” she said.

Kristen teaches a charcuterie class at M&T Bank / Photo: Meet & Eat Charcuterie (Instagram)

Eventually leaving her previous career behind, she poured her heart and soul into the charcuterie business after Chef Darian Bryan and his wife Jessica, of The Plating Society and Bratts Hill, told her there’s a retail space open next door, inspiring her to take the plunge and bring something new to the Larkin neighborhood. She connected with the Zemsky family about the property and the rest is history. The doors are open and the Cheese Academy has plans to expand.

“For the classes, it’s going to be industry training and consumer training. For industry training, my goal is to use it as a community asset for the next generation of cheesemongers, restaurant staff, and also potentially sell them wholesale cheese,” Kristen said. 

“I offer different kinds of consumer classes. The newest one is the wine and cheese pairing,” she said. “It’s 4 glasses of wine that we serve with a cheese and meat for each glass for $50 per person,” said Kristen. “For $64, there’s a ‘Charcuterie 101’ class where you’ll cut, prep, and learn about what makes a good charcuterie board.” The third class costs $110, and attendees get a 9×12 Nickel City Woodworking board that you can customize and engrave. Plus, the class comes with more food. You can even rent the space out for your own event and Kristen can do a graze table and a wine package, working with you to plan your next happy hour, bachelorette party, shower, and more.

Meet & Eat Charcuterie at 799 Seneca Street, Buffalo / Photo: Meet & Charcuterie (Instagram)

“Don’t Worry, Brie Happy” / Photo: Meet & Charcuterie (Instagram)

Cheese skyline mural by Christy Francis of Avery & Harlow / Photo: Jess Kelly

“Meet & Eat Charcuterie is about coming together, eating and sharing experiences. I want people to be able to come back a million times and not feel like it’s overdone. You can come make a board, take a class, buy products, or hang with your friends on the patio,” explains Kristen.

She’s had a lot of mentors throughout this process that have helped her along the way including Pete Cimino from Lloyd Taco Factory, Mike Tobin from Fresh Catch Poke, and Mark Mahfouz from Pita Gourmet. With the help of mentors and her community, Kristen is rolling with this new journey.

“I focus on progress over perfection. By doing that, you’re focusing on the journey. If I chose an end goal for this, I’m limiting it in my opinion. When you can open it up to possibilities, that’s when things start to really grow, change, and evolve into beautiful things.”

Meet & Eat Charcuterie
799 Seneca St., Suite A, Buffalo, NY 14210
(716) 861-6738
Instagram: @meetandeatcharcuterie

The post The Art of Cheese at Meet & Eat Charcuterie appeared first on Visit Buffalo Niagara.

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