Categories
PostEvents

Buffalo’s Future Ride Towards Metro Rail Expansion

For the first time since the 1980’s, regular traffic is finding its way back to Downtown Buffalo’s Main Street through the present-day Cars Sharing Main Street program. The former pedestrian mall, anchored by the ground-level path of the NFTA Metro Rail has been remembered as a local scapegoat for Buffalo’s economic decline that actually began decades earlier.

Post-World War II economics shifted the trajectory of American cities. Primarily with the selling of American-manufactured goods to overseas markets, and home ownership prioritized for newly- developed suburban units, this was particularly harmful for Northeastern “Rust Belt” cities that were founded upon citizens generating their own local economy. Among many stumbles that awaited Buffalo from this trend included dismantling of Shelton Square, a former wide commercial square that once linked Niagara Street directly to Main Street. It was a bustling hub of shops, theatres, and restaurants originating from the Joseph Ellicott Street grid where upon maturity, it was comparable to New York City’s Times Square. Shelton Square was once one of the beacons of Buffalo’s successful heritage.

The loss of Shelton Square would be one of many major self-destructive mistakes that would plague a city that once served about 600,000 residents during the 1940’s. Present-day Buffalo is at constant odds with its own identity of 278,000 residents in the 2020’s; Traumatized by its own self- destruction, the city today has to contend with many long-time citizens averse to long-term change, leadership reluctant to take on the toughest issues affecting the hardest-hit neighborhoods, and a series of developments that remain on the table amid decades of public discontent.

Despite every major accomplishment witnessed from Buffalo’s current “renaissance,” many lingering problems from the last half of the 20th Century remain untouched.

Streetcars convene where Niagara Street once began at Main Street (c. 1890’s); photo sourced at progress-is-fine.blogspot.com (Mass Transportation Magazine, January 1954)

Origins of Metro Rail


Early subway proposal from the Buffalo Chamber of Commerce (c. 1918); map sourced at cyburbia.org

The history of Metro Rail began with a streetcar system that developed throughout a still-growing city in the 19th Century. Several smaller railway companies operating routes in different neighborhoods eventually merged into the International Railway Company by the start of the 20th Century. These streetcars had routes mirroring today’s Metro buses, but servicing a much more robust population. In a time before automobiles became an overwhelming component of the American economy, streetcars were a common resource for public transportation.

When the innovation of the subway arrived to the United States in the 1900’s, Buffalo was one of the leading cities ready to capitalize with its own system. A city equipped with over 400,000 residents at the time presented its very first subway draft in 1906. This plan emphasized an east-west route centered under William Street, with Shelton Square being a main focal point according to its location on the radial street grid. A later draft presented by the Buffalo Chamber of Commerce in 1918, includes the more familiar north-south route along Main Street.

Like many parts of the city, William Street was very different from the street seen today. But due partially to disagreements about a proposed central station at Fillmore

Avenue and William Street, the entire subway plan was delayed and eventually fell through. Had the plan been resurrected or proceeded, it could have become a natural resource for the Central Terminal that was built in 1929.

Buffalo transportation survived with streetcars up until 1950.

Buffalo transportation survived with streetcars up until 1950. The growing use of automobiles prompted many cities to retire their streetcar systems, San Francisco and New Orleans being rare exceptions. With the dissolution of the International Railway Company, Buffalo’s streetcars were phased into modern bus routes. Routes would be adjusted over time, but buses would reduce frequencies while grappling with population loss and further influenced by suburban developers to restrict routes in particular areas.

Plans for a Buffalo subway re-emerged in the 1960’s when the University at Buffalo presented plans to expand upon its existing campus in the University District. After rejecting bids to build a second campus Downtown, it was ultimately decided that their new campus would be built in undeveloped land deep in Amherst. Becoming its new headquarters, the move changed the trajectory of Metro Rail plans to accommodate a commuter link between the North Campus (Amherst) and the South Campus (University District). However, these new plans in and around the North Campus would be tailored for the impulses of private developers, often influenced by sprawl-based zoning that failed to consider the raw, logistical needs of UB students, staff, and faculty.

Streetcars accommodate passengers in a station that once anchored Shelton Square (c. 1932), photo courtesy of Citizens for Regional Transit


Rendering of a Metro Rail station at the University at Buffalo North Campus (1973); courtesy of forgottenbuffalo.com (From the 1973 Metro report)

Like with many other subway plans developed in other cities since the 1960’s such as the Pittsburgh Light Rail of Pittsburgh, or the Metro Link of St. Louis, Metro Rail was proposed as a remedy to the decline already occurring in Buffalo at the time. Zoning laws passed in the 1950’s drew sharp lines between residential, commercial, and industrial development, which had a massive influence on newer builds and urban renewal projects around the city. The aforementioned Shelton Square reconfiguration to accommodate suburban-designed traffic drove hundreds of shops, theatres, and restaurants out of business. More anchor shops and theatres were sacrificed up and down Main Street.

These along with several ill-conceived highway projects and urban renewal efforts exacerbated the decline. A prime example was the destruction of Humboldt Parkway by New York Route 33, the Kensington Expressway, that decimated property values across East Buffalo, and isolated neighborhoods from the Main Street grid. The North Oak neighborhood was completely erased from the city’s imprint. The Fruit Belt battled with a seizure of its identity after already bearing a geographical wound from the path of Route 33.

These were among the many horrific examples of urban disinvestment that would peak during the 1970’s. This escalation of events led to residents losing their homes, many local merchants closing their businesses, and a widespread loss on urban investments that persist to this day throughout the city. Buffalo saw its largest population drop during this decade, going from 462,000 residents in 1970 to 357,000 by 1980.

Many state funding issues also led to project delays throughout the 1970’s. The threatened bankruptcy declaration of New York City depleted funds statewide, which became yet another example of the troubles cities were facing during the post-WWII period. As a result, only 4,000 residential units of the original 27,000 planned around UB’s North Campus would ever materialize.

The rise of the welfare myth during the later 1970’s manifested into concerns from suburban commuters about crime spilling into suburban neighborhoods. The design of UB’s North Campus, by its very nature, was intended to discourage the camaraderie of urban density. The self-fulfilling prophecy of crime and blight in central cities grew into an implicitly learned hostility against the city itself, which would further alienate Downtown Buffalo from the Western New York region.

The resulting Metro Rail that was constructed during the 1980’s would not include secondary links to Tonawanda, nor would it include a link to the UB North Campus as once anticipated. No routes to the Airport in Cheektowaga or to the Buffalo Bills Stadium in Orchard Park would materialize. All that came was a singular, six-mile track along Main Street, going from the south edge at the waterfront to the north edge at the UB South Campus within city bounds.

The existing Metro Rail came to symbolize the post-WWII anti-urban hostility that the city of Buffalo continues to experience to this day.

The existing Metro Rail came to symbolize the post-WWII anti-urban hostility that the city of Buffalo continues to experience to this day. It became the product of both active and passive factors playing into the economic and environmental segregation of American cities and surrounding suburbs.

Reactionary legislation was approved to discourage redlining and blockbusting among real estate markets. This was to ensure that the debacle of the Route 33 Kensington Expressway would never occur again. Yet segregation practices that were now readjusted based on income status and economic advantages rather than race, came to mirror surviving segregation practices that drove the separation of cities and suburbs.

One of the most infamous cases of transit discrimination, tying into a broader case against classism, occurred with the opening of the Walden Galleria in 1989. While it served as the largest shopping center in Erie County, Metro buses were initially forbidden from dropping riders off on the mall property for the first decade, specifically as a deterrent for low-income residents. This presented an unwanted challenge for those who shopped at or worked at the Galleria, but could not afford a car. Such was the case for Cynthia Wiggins, who was killed in traffic on Walden Avenue on her way to her job at the Galleria in 1995. The case was settled four years later in favor of her family, where it was revealed that had Metro buses been allowed on mall property, she would have been able to get to and from her job safely.

Around Buffalo, Routes 33 and 198 continue to rip through parks and neighborhoods, while isolating neighbors mere yards apart. The loss of homes and safety hazards posed by these thoroughfares, topped by the NYSDOT’s reluctance to solve the root issue further underlines the suburban fiefdom that has had a negative influence on the central city.

In Downtown Buffalo, many shops, theatres, and restaurants were bulldozed for lesser commodities. Main Place Mall, intended to replace Shelton Square, specifically saw its shops disappear from the time it opened, becoming a frequent subject for “dead mall” documentaries before closing for good in 2020.

Ultimately, Metro Rail failed to save Downtown Buffalo as was once promised, but instead was blamed as the reason for the loss of multiple small shops and anchor businesses.

How and Why Metro Rail Must Expand

While implicit segregation was not exclusive to Buffalo, other American cities in the Rust Belt fared better with their own transit lines as shown in the examples above. Many are also grappling with their own dilemmas regarding aging expressways, yet operate comprehensive light rail routes that tie the downtown core, if not to its surrounding suburbs, to more points around the urban perimeter.

Buffalo’s humble Metro Rail has been infamous for falling far behind the national curve. While the walls on NY Route 33, the Kensington Expressway, continue to crumble and public buses continue to reduce services, plans are still on the table for the long sought-after completion of the UB North Campus line. But that accounts for only one of six main destinations where Metro Rail was planned to be expanded.

Expanding the Metro Rail could bring many yet-to-be seen benefits to the city of Buffalo and Western New York at large. Annual budgets spent on maintaining the aging Route 33 could even be re- purposed for funding this long-term regional expansion. Here are the many still-feasible extensions originally envisioned:

Amherst Corridor: Serving Buffalo’s most successful suburb, this corridor would not only complete the link to UB’s North Campus, but also extend to other focal points along Millersport Highway, potentially going as far north as Lockport.Tonawanda Corridor: This route would ideally run on an abandoned railway corridor, serving as one option for the long-desired commercial path to Niagara County.Eastern/Airport Corridor: This route would re-ignite the long-neglected commercial districts of East Buffalo (Michigan, Jefferson, Fillmore, and Bailey), provide all-new business opportunities for the Broadway Market, as well as breathe new life into a newly-revived Central Terminal. Ultimately, it would revitalize Genesee Street as the rightful arterial for travelers and tourists between Downtown and the Airport, thus rendering the present-day Route 33 Expressway obsolete.Southtowns Corridor: Would provide an alternative to the traffic jams that occur on Bills’ game days, and prevent patrons from being stranded after games at night. Also, it would join South Buffalo with the rest of the city through its path along South Park Avenue and available railway rights-of-way, even providing stops at one or both of the southern Olmsted Parks (Cazenovia and South Parks).Niagara Corridor: Would run directly along Niagara Street/River Road as a route to North Tonawanda and Niagara Falls. This would tie tourism more directly between Erie and Niagara Counties, generating more partnerships with Canadian businesses.Main Street Corridor: Even the existing Metro Rail route could be extended further east into Amherst, Williamsville, and Clarence. If extended as far east to Batavia, it would generate a travel option to Darien Lake.


Visualization of an elaborate Metro Rail system in the Buffalo-Niagara Metropolitan Region, courtesy of Reddit.com (Buffalo NFTA Metro Fantasy Map, Based on Citizens for Regional Transit Map)

Like many times throughout its two centuries of history, Buffalo was able to shape its identity from experiences of other cities. On a larger scale, New York City has a wide-ranging subway system that links four of its five boroughs closely together. San Francisco has two separate systems: The MUNI that serves the city/county of San Francisco, and the BART that serves the larger San Francisco Bay Area. Additional examples in numbers of ridership, and availability from cities more comparable to Buffalo’s population include Cleveland, Pittsburgh, St. Louis, and Minneapolis/St. Paul, among others.

Recent news came of the DL&W Station’s revival as the first extension of the Metro Rail, which will be opened in 2023. This is a very small but important victory that opens the door for more expansion opportunities discussed above and in endless NFTA planning documents. These plans along with grassroots advocation proposals such as those presented by Citizens for Regional Transit offer the potential for a great public transit system serving the Buffalo-Niagara region.


Rendering of the future DL&W Metro Rail Station at South Park Avenue, courtesy of buffalobillion.ny.gov.

We have arrived at a moment in American history where federal investments are being made in American cities reinforcing and improving everyday foundational infrastructure. A critical lesson that emerged from the pandemic experience is the need for a second breadth of funding for cities that missed out on the first wave from the 1960’s to 1980’s. The expansion of public transportation services should address the common disparity in transportation options for citizens who either cannot afford a car, or those who do not prefer auto travel. For Buffalo, every incentive is needed for the NFTA to improve its existing bus routes to accommodate demands for better transit.

This article describes the dream of what could have been, and may someday be possible. There is much that can be achieved today (see CRT’s website), building a foundation for future expansions that may ultimately achieve a truly regional public transit system that completely connects our region, and solidifies a better connectivity with our Canadian neighbors.

The post Buffalo’s Future Ride Towards Metro Rail Expansion appeared first on Buffalo Rising.

Categories
PostEvents

The Banshee is headquarters for American Outlaws Buffalo Chapter during 2022 World Cup

The 2022 World Cup is presently the talk of the town. Soccer fans are now in the midst of deciding where they are going to watch the games. The good news is that there are a bunch of options these days, not just one or two diehard venues. The most recent pub to enter the watch ring is Banshee Irish Pub (The Banshee) at 257 Franklin St, downtown Buffalo.

Up until this year, most of the best places to watch the World Cup have been smaller in nature. That is not the case with The Banshee, which has teamed up with the Buffalo Chapter of the American Outlaws (AO Buffalo) to host three World Cup watch parties for the US National Team games (playing in Qatar). The Banshee features two sprawling floors, numerous TVs, and a large covered patio.

The local chapter of the American Outlaws – founded by a small group of friends who were looking for fun places to watch the World Cup – is the 51st chapter in the club. Altogether there are over 200 chapters nationally, with over 30,000 members. Locally, members pay to be in the club, but the watch parties are open to everyone, members or not.

“We have been waiting 8 years to host World Cup watch parties for the US Men’s team, and we couldn’t be more excited to call the Banshee our home for the 2022 World Cup. With 21 TVs, 2 floors, and a covered patio we certainly have a lot of space and we are excited for everyone to join us. We want to pack the place to support the red, white, and blue,” said Jeff Fabin, President of AO Buffalo.

“We here at The Banshee are very excited for the World Cup and even more thrilled to be named headquarters for the American Outlaws Buffalo Chapter. We’re a little bummed Ireland didn’t make it but we’ll be open for every game and cheering on Team USA,” stated Conor Hawkins, Co-owner of The Banshee Irish Pub. 

“This is an opportunity to come together with other passionate fans in your community to experience the highs and lows of the pinnacle event of sports- and cheer on our young and exciting U.S. Men’s National Team,” said Justin Brunken, American Outlaws Co-Founder

USA World Cup watch party details:

Monday, November 21st, 2pm EST- United States vs Wales

Friday, November 25th, 2pm EST- United States vs England

Tuesday, November 29th, 2pm EST- United States vs Iran

The post The Banshee is headquarters for American Outlaws Buffalo Chapter during 2022 World Cup appeared first on Buffalo Rising.

Categories
PostEvents

Buffalo Startup Week 2022

A 5-day, grassroots celebration and amplification of entrepreneurship, and the people shaping the startup community in Buffalo

Buffalo Startup Week 2022 kicks off today (Monday) at Seneca One. Then, on Tuesday, it’s all about Product & Tech with over 60 companies that are creating products and tech in Buffalo. On Thursday, there are resources for entrepreneurs and employees, with over 30 free resources. These are just three of the amazing participatory experiences underway throughout the course of the week. For anyone who has a bent on tech, or who is interested in what the local creation scene looks like, these are amazing opportunities.

The events and activities throughout the week include over a dozen sessions, a kickoff party, keynote speakers, WNY Expo, and a closing party. These events are being attended by entrepreneurs, innovation leaders, talented tech groups, and investment-minded people.

Here is an overview of the event, and Buffalo Startup Week features:

Free to attend – Startup Week is 100% free to attend, which removes the barriers to mentorship and networking that are usually associated with expensive conferences.Provocative speakers – innovative speakers and thought-provoking discussions where you can keep on top of the latest technologies and trends.WNY Expo – A three day exposition to celebrate and amplify the entrepreneurs in WNY Startup Space. Open expo to explore Products made here, Tech created here and Resources for existing and aspiring entrepreneurs to access and leverage!Mentorship – Buffalo Startup Week provides access to quality mentors who are influential industry and subject matter experts, keen to support the Buffalo Startup Community.Hands-on experiences – Jump in and join activities with people who share an entrepreneurial spirit on topics relevant to Buffalo’s startup community.Make new connections – Knowing you’re not alone can make all the difference. Buffalo Startup Week provides participants many opportunities to engage and connect with like-minded individuals.Celebrate Buffalo – With over a dozen sessions, a kickoff party, keynote speakers, WNY Expo, and a closing party, Buffalo Startup Week is the place to have fun while learning about and supporting our startup community.

It all starts today, with a kick-off from 5:00 PM – 7:00 PM.

Get your free ticket here!

Every participant is given a commemorative t-shirt and bag full of goodies.

The post Buffalo Startup Week 2022 appeared first on Buffalo Rising.

Categories
PostEvents

Indoor Gardens Proposed for Lombard Street

The Zoning Board of Appeals will review a proposal to install 10 shipping containers on a vacant parcel at 197-205 Lombard Street across from the Broadway Market and use them for indoor gardening.  The Fillmore Farms Community Garden is being undertaken by the 659 Foundation which has worked with nearby Jericho Road Community Health Center in the past.   

From the project application:

We would like to propose the use of a Container Garden in this area. Each container is 40′-0″ long and will be fully climate controlled for growing produce all year. These 10 containers equal a 15-acre farm. One container can grow 1000 heads of lettuce. These are temporary shipping container units and could be moved if needed.

The produce would be sold to local restaurants and businesses in the city. According to Fillmore District Council Member Mitch Nowakowski, the owners have committed to a community benefits element by providing neighborhood access to their produce at free or low-cost throughout the year to the residents who live in the neighborhood.

Bammel Architects is working on plans for the project.  The proposal requires several variances including insufficient ground story height, lack of permanent foundations, insufficient ground floor transparency and excess ground floor blank wall width. A second phase of the project calls for renovations to the existing building on site for additional growing areas and packaging and storage space.

The post Indoor Gardens Proposed for Lombard Street appeared first on Buffalo Rising.

Categories
PostEvents

JAM Parkside joins the Pie It Forward effort.

The Pie It Forward Buffalo campaign, started by Maureen Griffin Tomczak in 2012, has a goal of collecting over 900 store baked/bought pies in 2022. In order to make sure that this undertaking is a success, JAM Parkside – a women-owned business – has partnered with the organization, to help feed the hungry this holiday season.

Over the 7 years of baking/buying and collecting pies, Pie It Forward has provided close to 5,000 pies for those in need of a holiday boost.

The annual pie drive works hand-in-hand with the City Mission and The Response to Love Center to ensure that veterans, the elderly, the homebound, and families in need, have a slice of pie to go along with their Thanksgiving meal. This small gesture results in big rewards for those who could use a boost during a time of year that should be uplifting. If the goal of collecting 900+ pies is met this year, that equates to approximately 7000 slices, which is certainly not a pie in the sky effort.

In 2022, there will be two drop-off locations – JAM on Parkside (301 Parkside Avenue) and Snyder. JAM is collecting apple, pumpkin and sweet potato pies.

Pies will be collected on Saturday, November 19 and Sunday, November 20 from 8am-4pm each day.

Pies must be store bought and ready to serve. If purchasing frozen pies, after baking, please return the pies to their original boxes.

Learn more via this Facebook page.

The post JAM Parkside joins the Pie It Forward effort. appeared first on Buffalo Rising.

Categories
PostEvents

BPO musicians, audience love cellist Asier Polo (concert repeats 11/13 at 2:30)

The story goes that the great Spanish cellist, Pablo Casals, having seen a street musician play something like a cello made from a broom handle, begged his father for an instrument.  Pablo himself got something made from a gourd.  ¿Qué es esto?  But when he was eleven, he heard a real cello for the first time and was hooked.  For my older brother Tom, it was hearing the great Spanish guitarist Segovia play at Kleinhans musical that drew him in.  What Casals did for the public’s awareness of the cello and Segovia did for the guitar cannot be overstated.  

As I heard the great Spanish cellist Asier Polo play at Kleinhans last night I thought “This guy is the real deal.  If any young person were undecided about which string instrument to take up, listening to Polo could certainly be the deciding factor.”  (The concert I heard repeats this Sunday, November 13, at 2:30 pm at Kleinhans.)  (Yes, I know the Bills are playing the Vikings at 1:00, but they’re in a different conference, so it doesn’t really matter.  I’m just sayin’.)  I’m also sayin’ that I’ve heard many great cellists in my time, including our own BPO principal cellist Roman Mekinulov not to mention Yo-Yo Ma (whose performance of the Dvořak Cello Concerto at Kleinhans this coming Friday, November 18 is sold out).  But I’ve never heard the cello played the way Asier Polo plays it.

He has the softest touch.  With most cellists, you are well aware that the sound comes from the horsehairs strung along the bow scraping along the metal strings.  With Asier Polo, the sound seems to just emanate from the instrument.  When most cellists pluck or strum the strings, it’s often an intensely physical act.  Asier Polo caresses the strings and they respond with love.  Amor.

At Kleinhans Music Hall, L-R JoAnn Falletta and Spanish cellist Asier Polo

Buffalo Philharmonic Orchestra Music Director JoAnn Falletta, who conducts this weekend, summed it up: “The man who is in my opinion the greatest Spanish cellist is making his USA debut with [the BPO] in Elgar’s emotional cello concerto.  It is a major moment for us.”  

With Falletta and the BPO, Polo played (IMHO) one of the greatest cello concertos ever written, Edward Elgar’s only Cello Concerto in E minor (30 minutes long).  Composed in 1919 after the death of so many fellow Englishmen in WWI, and during the final months of his wife Alice’s battle with cancer, the opening movement, marked adagio, is certainly a lament.  And it holds its own against other adagios which are often played after great tragedies, such as “Barber’s Adagio” or the work we know as “Albinoni’s Adagio.” 

The concerto, only 30 minutes long, alternates between slow-fast-slow-fast-slow-with a big flourish at the end and it reminded me of the Kubler-Ross “Five Stages of Grief” where the person who is suffering a loss or trauma exhibits wild (or wide) mood swings.  But, musically speaking, that alternation also allows the soloist to exhibit wild (or wide) ranges of technique.  I was particularly impressed by Polo’s ability to play the highest notes beautifully, notoriously difficult on a cello. 

The audience obviously knew this was a very special performance and jumped to its feet at the end.  You could tell the musicians were also impressed.  As I’ve said before, when they like someone, they wave their bows.  When they REALLY like someone, they put down their expensive instruments to clap along with the rest of us.  And, expecting that reaction, Falletta, the orchestra, and Polo had prepared an encore.  It was the Intermezzo from Spanish composer Enrique Granados’ opera “Goyescas” (which used themes from his earlier piano work by the same title).  

Fun Fact: The popular song “Bésame Mucho” (“Kiss Me A Lot”) was written by a teenager, the Mexican songwriter Consuelo Velázquez, who, even though she herself had never actually been kissed yet, was inspired by the “Aria of the Nightingale” from that same opera, Goyescas.  What can I say, Spanish is the language of love, and that came across loud and clear during that Granados encore. Amor.

The concert was quite international, beginning with an overture (Yay… all concerts should start that way, and with JoAnn Falletta, they often do!)  This was a rollicking work by the great English composer William Walton titled “Portsmouth Point” Overture (just 6 minutes long) inspired by a work of art that depicted, among other things, drunk sailors, and you can hear them sort of stumbling along.  It must be fiendishly difficult to conduct since you have to stay somewhat together as an orchestra while every once in a while, an instrument staggers off in a bit of syncopation.  It was an inspired choice for several reasons, including being paired with the cello concerto by another great English composer, Edward Elgar, and foreshadowing the final work, the “Háry János” Suite by Zoltán Kodály about a teller of tall tales who holds court in a tavern. 

By the way, Falletta’s most recent CD “Walton: The Complete Facades” is now available on the Naxos label.  And among her 120 CDs issued to date, there’s one with the BPO featuring the music of Kodály (say “koh-DYE”) and two featuring the music of French (but also kind of German) composer Florent Schmitt.

Keeping with the theme of the Elgar concerto, the first work after intermission was (and will be this Sunday afternoon) “In Memoriam: Gabriel Faure” (12 minutes long) by Florent Schmitt, an often overlooked composer who combines the impressionism of Ravel and maybe even more of Debussy (think “Pélleas et Mélisande” or “La Mer”) with the tone poem techniques of Richard Strauss.  

And the concert concluded with that “Háry János” Suite (22 minutes) by Hungarian composer Kodály with a HUGE orchestra coming on stage, including 6 percussionists (plus tympani), 6 trumpets and cornets, grand piano, saxophone (!) and a very unusual instrument that I’m not sure I’ve ever heard live before, much less seen, and that’s a cimbalom.  A cimbalom sounds a little like the zither, a lot like hitting the strings inside of a grand piano, and, looking it up after the concert, I read that it’s an improvement on the hammered dulcimer, invented in Budapest, Hungary in 1874.  

Chester Englander | Photo courtesy JoAnn Falletta

It was played by a foremost expert on the instrument, Chester Englander and it really makes for a fun way to close the evening.  If you’re a regular listener to WNED Classical, I know you’ve heard the “Háry János” Suite many times, but it’s so true: unless you hear it live, you don’t hear all the wonderful combinations of instruments.  And, as I said, I’ve heard that cimbalom for many years, but until I saw it on stage, I didn’t really know what it was.  

Concert Runtime: a little under 2 hours.  

Kleinhans Music Hall is at “3 Symphony Circle” Buffalo, 14201 where Porter Avenue, Richmond Avenue, North Street and Wadsworth meet at a traffic circle.  Visit www.bpo.org or call 716-885-5000.  Full-service bar either in the lobby or across the lobby in the Mary Seaton Room.  Masks are optional.

Lead image: Asier Polo | ©Quincena Musical- Iñigo Ibáñez – Wikimedia Commons

The post BPO musicians, audience love cellist Asier Polo (concert repeats 11/13 at 2:30) appeared first on Buffalo Rising.

Categories
PostEvents

Nerd Scene: The Errant Stitch

Since Star Wars changed how pop culture merchandising was seen and handled decades ago, there have been countless ways to re-fashion our favorite movies, TV series, and more. Whether it’s t-shirts, lunch boxes, beach towels, or collectibles, there are so many ways to celebrate and show off what we love. However, there could always be more. There’s no set rule that rocking a t-shirt or a hoodie with a character on it is the only way to demonstrate that you’re a fan of something. The proof? I’d like to introduce you to The Errant Stitch.

The Errant Stitch, run by Nicole Majewski, is a Western New York based company dedicated to creating geeky goods for those with more eclectic tastes. Majewski makes an incredibly wide variety of accessories for purchase, including light switch covers depicting classic movie posters, cassette tape purses based on iconic albums, wallets made from repurposed chip bags, and much more.

One of the central ideas behind The Errant Stitch is that things should be left out of landfills as much as possible. If an item serves an actual function, then it’s less likely that someone will get rid of it. Because of this, The Errant Stitch ensures that anything that is upcycled has a practical use, like being used as a carrying bag or as wearable jewelry, for example. Majewski frequently uses recycled and repurposed materials for her projects… like her cheeseburger wrapper lamp! That way, she’s finding a use for something that would otherwise just find its way to the dump or along the side of the highway.

It’s genuinely exciting for people to be able to celebrate their fandoms with items that are a bit more unique than the standard t-shirt, and that actually serve a practical purpose. Things, like a wireless phone charger made from an old Duck Hunt Nintendo cartridge, or a light made from a VHS copy of The Lost World: Jurassic Park are genuinely handy to have, but are also much cooler than most knickknacks found on store shelves. My wife and I have a Silent Night, Deadly Night light switch cover from The Errant Stitch in our home library and we absolutely love it. It’s something we would have never found elsewhere. It takes true artistic genius to come up with these sorts of creations.

There are more projects on the horizon for The Errant Stitch as well. Majewski hopes to work with nostalgic 90s properties, involving more VHS video creations. She also hopes to expand on her vintage horror and monster selections, including projects based around classic monster movie art and weirdo comic book ads of the past. She even has projects planned for repurposing McDonald’s Halloween pails.

If there are merchandise items that The Errant Stitch has that you’d be interested in, but you don’t see your favorite movie, video game, or comic book represented, commissions are available. Majewski finds commissions enjoyable because she gets to do something different, while learning about fandoms she may not be as familiar with yet.

The Errant Stitch’s work can be sourced at different Maker Faire and pop-up events throughout the year. A couple of the upcoming events that you can find her at include Maker Faire Rochester on November 19th and the Western New York Maker Faire in Spring of 2023. She also enters her work in the Erie County Creative Arts Exhibits every year, and regularly donates creations to Thursday Night Terrors raffles and select craft fairs.

If you want to check out what The Errant Stitch has to offer, or would like to pick up some cleverly created items for yourself, you can head over to her portfolio website at iamtheerrantstitch.com, her Etsy page, or on Instagram. Whatever it is that you’re a nerd of, you can now express it in more unique ways than ever thanks to The Errant Stitch.

The post Nerd Scene: The Errant Stitch appeared first on Buffalo Rising.

Categories
PostEvents

2 solid “page to stage” plays: MISERY at Kavinoky, THE CHOSEN at Jewish Rep

THE BASICS:  MISERY, a play by William Goldman, adapted from the 1987 psychological horror thriller novel by Stephen King, directed by Brian Cavanagh, starring Adriano Gatto as Paul, Steven Brachmann as Buster (the sheriff), and Kavinoky Artistic Director Loraine O’Donnell as Annie (aka “the Kathy Bates role”) runs through November 20, Thursdays and Fridays at 7:30 p.m., Saturdays at 3:30 p.m., and 7:30 p.m., and Sundays at 2:00 p.m. at D’Youville’s Kavinoky Theatre (716) 829-7668.   kavinokytheatre.com  Runtime: 2 hours and 20 minutes including one intermission (full-service bar in the lounge)

THUMBNAIL SKETCH: The play version of the beloved Stephen King classic novel and movie follows successful romance novelist Paul Sheldon, who is rescued from a car crash by his “Number One Fan,” Annie Wilkes, and wakes up captive in her secluded home.  Having killed off the heroine, “Misery Chastain” in what he thought would be the final novel in the series, Annie, the former nurse, and a very lonely woman, is miserable.  And so, as she forces Paul to write a new “Misery” novel, he quickly realizes Annie has no intention of letting him go anywhere.

THE PLAYERS, THE PLAY, AND THE PRODUCTION:  Everyone who’s seen the movie adaptation starring Kathy Bates and James Caan remembers, if nothing else, the “hobbling” scene.  You know it’s coming and this play delivers.  When we heard the “thud” of a very real sledgehammer first hit the very real wood of the stage floor, and realized that it was not a foam rubber prop, we jumped.  Not the only “jump scene” (as they call them in movies) on stage during this thriller.

Fun (?) fact: Adriano Gatto lies in the very same bed and Loraine O’Donnell swings the very same sledgehammer used by Bruce Willis and Laurie Metcalf in the 2015 Broadway production of MISERY.  The construction and prosthetics are quite complicated (and hyper-realistic).  This all came about because Gatto “knew a guy” who made using the original Broadway props possible. (The bed and props were developed by the same people who made the creature in the movie “The Shape of Water.”)

Also, like the Broadway production, the Kavinoky uses a revolving stage (Set Design by David King), allowing us to see an exterior of Annie’s home, her kitchen, a living room, and the bedroom where Paul the writer is recovering.  I was surprised at how smoothly the stage revolved.  It’s a very classy job of set construction.  Also, note how over time, the set changes, particularly the kitchen.  As Annie’s mind deteriorates, her kitchen walls become mold-ridden, dishes pile up in the sink, and the floor is littered with garbage bags that should be taken out to the trash.  

In one of life’s little “meta moments” on the way to the theater as it happened we were listening to NPR “Fresh Air” program host Terry Gross interview Stephen King, who explained how he loves to trap his protagonists in small spaces (the Trenton family in the car in “Kujo,” or the family trapped in the hotel in “The Shining,” or Andy Dufresne trapped in prison in “Rita Hayworth and the Shawshank Redemption”).  So trapping the author Paul Sheldon in a remote farmhouse in order to build the tension is vintage Stephen King.  The man has skills.

Misery Annie Laughing | Photo: Gene Witkowski

It was great to see these two experienced hands, Adriano Gatto and Loraine O’Donnell, playing cat and mouse with each other.  More and more I’ve come to appreciate the subtle yet unmistakable power of those “Ten Thousand Hours” of practicing a craft.  

And a shout-out to the stand-bys, Don Gervasi for Mr. Gatto, Marie Costa for Ms O’Donnell, and Kodi James for Mr. Brachmann.  The Kavinoky has suffered along with every other theater, in Buffalo, Niagara on the Lake, Stratford, Broadway, you name it, from Covid.  Stand-bys are an extra expense that the theaters have to take on, but, as an audience member, I appreciate it.  In fact, I’ll never forget my first Covid cancellation was, as it happened, at the Kavinoky in March of 2020 for INDECENT.  As I approached the door to walk in a number of actors were walking out.  The play had been shut down.  

Annie putting Paul in bed | Photo: Gene Witkowski

I’d give the production elements and the acting and direction four Buffalos, but at the end of the day, MISERY is a fine thriller, but as a meaningful work of art, I’d give it three.  So let’s average it out to Three and a Half Buffalos for this one.

THE CHOSEN is on stage inside the Benderson Family Building which is easy to get to

THE CHOSEN, a play adapted by Aaron Posner and Chaim Potok from the novel by Chaim Potok, directed by Jewish Repertory Theater (JRT) Artistic Director Saul Elkin, starring Ray Boucher, Sam Fesmire, Max Goldhirsch, Tom Loughlin, and David Lundy, presented by Jewish Repertory Theater, opened on November 3 and runs through November 20, Thursdays 7:30, Saturdays 3:30pm & 7:30pm, Sundays 2:00pm. 2640 N Forest Rd, Getzville, NY. 716-688-4033 jewishrepertorytheatre.org Runtime: a little over 2 hours including one intermission

THUMBNAIL SKETCH: For their 20th anniversary season, JRT returns to one of their first produced shows.  This stage adaptation of the novel “The Chosen” which also became a movie (which the JRT is screening on Monday, November 14 at 7 pm, see note below) is the story of two teenage boys, two fathers, and two very different Jewish communities— “five blocks and a world apart” —in Williamsburg, Brooklyn, in the 1940s.  While outside the borough world events rage on – WWII, the revelation of the Holocaust, and the rise of Zionism, – THE CHOSEN, in the end, is an intimate story of fathers and sons.  Reuven Malter, from a more modern orthodox school and Danny Saunders, from a very strict ultra-orthodox Hasidic yeshiva, are both very intelligent young men.  During a heated baseball game between their rival yeshivas, Danny hits a line drive into Reuven’s eye, and, in the hospital, a surprising bond of mutual respect begins.  

L-R David Lundy and Ray Boucher | Photo by James Gibbons

We learn that both boys study the Torah (the printed Bible) and the Talmud (the evolving guide to Jewish philosophy, laws, and rules of conduct).  Danny studies more intensely, partly because he has a photographic memory and can devour pages at a time, but mostly because his father never talks to him except during those times when they discuss the Talmud.  Danny is expected to succeed his father as rabbi and Tzadik (“most holy one” and leader of the congregation) but he wants to study psychology at a university.  Reuven is expected to become a university professor, but he wants to become a rabbi.  

THE PLAYERS, THE PLAY, AND THE PRODUCTION:  Because of the small space and the small stage which thrusts itself into the audience at the JRT out in Getzville, plays often feel more intense and tend to stay with me longer than plays where we see the actors beyond the footlights.  At the JRT, I always feel like the proverbial “fly on the wall” and part of the drama.  If you’ve never been out to the JRT, look up 2640 N Forest Rd. and you’ll see that it’s only about 20 minutes away from you.  And if you’re not Jewish, remember that this is not a synagogue, it’s a legit theater housed in a community center where hundreds go to work out and swim.  As the Jewish Community Center says on its website: “We warmly welcome people of all ages, faiths, and ethnicities as members of the JCC.  Our goals are family-focused, inclusive, and supportive of anyone’s needs. We are a community for everyone.”  You don’t have to join anything.  Just buy a ticket.  So, everyone, if you want a tight little dramatic story, THE CHOSEN is for you.

Another reason to go is to see the direction of Saul Elkin, co-founder of the JRT (and founder of Shakespeare in Delaware Park) who is a first-generation American (his parents were Russian and Romanian immigrants) and who grew up speaking Yiddish and appearing as a youth in Yiddish theater.  Saul is a treasured link to a bygone culture.

And talk about experience!  The talent on stage includes lifetime achievement Artie Award winner Tom Loughlin who plays Danny’s father now but 20 years ago played Reuven’s father for JRT, and Artie Award winner David Lundy who plays Reuven’s father.  As a father of a boy myself, and perhaps because I’m such a fan of David Lundy, and perhaps because his character is the most reasonable (and don’t we all feel that we’re always the most reasonable person in the room) I felt he added that level of gravitas that held the play together.  

The two young men are outstanding.  Max Goldhirsch is only a sophomore at Amherst High School but ably presents a repressed Danny, the young man whose hair has peyos (side curls) and whose garments have tzitzit (fringes) representing that he is a Hasidic Jew.  Many people will remember Samuel Fesmire from the various OVER THE TAVERN productions in town and also from his Artie Award-winning performance as Christopher, the boy with Autism, in THE CURIOUS CASE OF THE DOG IN THE NIGHT-TIME.  His performance of young Reuven is confident and sure.  And Ray Boucher, as the adult Reuven, the narrator, brings that proper level of bemusement we all feel when looking back on our youth.  

Here we see the strong hands of Director Elkin and Assistant Director Steve Vaughan in matching up the behavior of younger and older Reuven so that there is no impediment to believing what we see.

We’ve seen works by playwright Aaron Posner before.  His MY NAME IS ASHER LEV, also taken from a novel by Chaim Potok, also deals with a young man at odds with his parents and his Hasidic community, and was presented several years ago by JRT.  And Posner is also the author of an adaptation of Chekhov’s THE SEAGULL as the play STUPID F***ING BIRD, which was presented by American Repertory Theater.  If you’re wondering, the play THE CHOSEN follows the novel very, very closely.  In fact, perusing a copy of the novel at intermission, it seemed as if the play could have been written with a highlighter, selecting passages for the narrator and dialog for the actors.  Sometimes adapting a novel to a play doesn’t work, but here it does.  So, however it came to be, it’s a satisfying script and a loving production.

A quick shout-out to David Dwyer for making a useful and believable set on the small stage (without a lot of time wasted on scene changes), with excellent lighting to enhance the story by Brian Cavanagh, era-appropriate costumes by Kari Drozd, and excellent music selections by Tom Makar.  

NOTE: On Monday, November 14 at 7:00 pm at 2640 N Forest Rd, Getzville, NY,  JCC Cultural Arts invites everyone to a free screening of the award-winning 1981 film adaptation of “The Chosen,” starring Maximillian Schell and Rod Steiger.  (Popcorn will be provided!)

*HERD OF BUFFALO (Notes on the Rating System)

ONE BUFFALO: This means trouble. A dreadful play, a highly flawed production, or both. Unless there is some really compelling reason for you to attend (i.e. you are the parent of someone who is in it), give this show a wide berth.

TWO BUFFALOS: Passable, but no great shakes. Either the production is pretty far off base, or the play itself is problematic. Unless you are the sort of person who’s happy just going to the theater, you might look around for something else.

THREE BUFFALOS: I still have my issues, but this is a pretty darn good night at the theater. If you don’t go in with huge expectations, you will probably be pleased.

FOUR BUFFALOS: Both the production and the play are of high caliber. If the genre/content are up your alley, I would make a real effort to attend.

FIVE BUFFALOS: Truly superb–a rare rating. Comedies that leave you weak with laughter, dramas that really touch the heart. Provided that this is the kind of show you like, you’d be a fool to miss it!

The post 2 solid “page to stage” plays: MISERY at Kavinoky, THE CHOSEN at Jewish Rep appeared first on Buffalo Rising.

Categories
PostEvents

2022 Roycroft Artisan Winter Festival

Fans of the Arts and Crafts movement in the US, will be happy to hear that the Roycroft Artisan Winter Festival is taking place on December 3 and 4 at The Hampton Inn, 49 Olean St, in East Aurora, NY (10am-5pm).

This is an incredible opportunity to see, firsthand, the works of Roycroft Artisans that have been accepted by the Roycrofters At Large Association’s Master Artisans (based on their high standards of work through a Juried process).

“Artisans proudly display the registered double R mark representing the quality of their work.  The Roycrofters At Large Association was founded in 1976 with the mission to keep the Arts & Crafts Movement alive guided by principles set forth by founder Elbert Hubbard.  The event traditionally has been a venue to start the holiday season of gift giving with a wonderful selection of handcrafted items made with the highest standards in craftsmanship.” – Deborah Muniak, Coordinator Roycrofters-At-Large Assn.

For more information and updates, visit Facebook and Instagram (Roycroft Artisans), or the Roycrofters-At-Large website www.ralaweb.com.   A nominal admission fee of $1 will be charged for adults.    

Visit the Roycrofters-At-Large Association at www.ralaweb.com to experience the Artisan’s exceptional work.

The 2022-23 Roycrofters-at-Large (RALA) “Goodie Box” debuted at the summer festival and raffle tickets will be available for sale both days at the winter festival. The box, valued at over $6,000 and inspired as a nod to Elbert Hubbard’s original “goodie box” concept, contains items created by Roycroft Artisans and is held annually at the National Arts and Crafts Conference, at the Grove Park Inn in Asheville, N.C. This year’s box was created by Master Artisan Howard Lehning and includes a one-of-a-kind previously unknown silver worked ring box by founding member and Master Artisan Alburn Sleeper, donated from his private collection by his estate in his honor.

Raffle tickets for the box will be sold throughout the winter festival and also at the RALA Schoolhouse Gallery, located at 1054 Olean Road, East Aurora up to February 2023. The drawing for the current box will occur February 19, 2023. The winner need not be present, and multiple entries are both allowed and encouraged.

The post 2022 Roycroft Artisan Winter Festival appeared first on Buffalo Rising.

Categories
PostEvents

How to Take a Walk—in Buffalo, and Beyond: Church Board Advice 

We continue the series on walking Buffalo, from the intrepid couple who walked every day—no matter the weather—in the first 30 months of Covid. They think (without being systematic) they walked every street in Buffalo, and many in other cities and towns, taking some 20,000 photos, some of which are shared in this series. While not itineraries, we hope to encourage others to “walk the walk,” to see, observe and appreciate Buffalo—and beyond. William Graebner and Dianne Bennett are also 5 Cent Cine’s film critics, here.

Today’s photo-essay: Church Board Advice 

Following the completion of the Erie Canal in 1825, the migration of thousands of people into Western New York was accompanied by an evangelical religious revival. The “Burned-over District” that encompassed the revival was centered in the Genesee Valley but also included Buffalo, where the Ebenezer Colonies (the True Inspiration Congregations) settled in what is now West Seneca, before moving on to Iowa and becoming the Amana Colony.

Since then, Buffalo (and Beyond) has been a city of churches—first Protestant, then, with the late-19th century arrival of Polish and Italian immigrants, predominantly Catholic. The Great Migration that began in the 1910s brought mainly Black-served churches north, including those that were Baptist, Church of God in Christ (on our walks, we learned what “COGIC” refers to), and singular denominations.

The evangelical fervor that characterized the Second Great Awakening of the 19th century is much weaker now, but the impulse to reach out remains, revealing itself on church notice boards that dot the city and environs. Some are clever, some serious, some clever and serious, and some—in these times—offer a perspective on dealing with Covid-19.  

On the clever side, this church board uses the double meaning of the word “assembly” (to put together, to get together):

Riverside

Similarly, this church board employs the word “serve,” referring to both sports and the act of giving oneself to others, to offer life advice:

Genesee Street

More than one church board we’ve seen features a word left out—a participatory device that invites the viewer to fill in the blank. 

Harvest House Ministry’s “Retreat Center,” a social service agency rather than a church proper, changes its board regularly. This iteration uses word play to offer advice on how to live life: 

Seneca Street

“Get Serious About Being Saved [The] Time is Coming Soon”I’m thinking of George Carlin’s riff on “in a little while.”

This Main Street board (above, right) gets right down to the serious business of religion—salvation. 

Nothing could be more serious than the prospect of going to Hell:

Better to be Non-Smoking

Churches had different reactions to Covid. In August of 2020, this East Side church took an optimistic approach:

At St. Bernard’s Parish in Kaisertown, it seems that “healing” can take place on “bingo” night (and maybe it can):

Bingo!

Leaning on the Lord

More than a year later, a Methodist church in Cleveland Hill remained upbeat, while relying on Jesus, specifically, rather than God. Despite the apparent optimism, this missive could also be read as suggesting that eternal life was the ultimate solution to Covid. 

The notice board at this East Delavan church mentions Covid-19 and offers a rather arduous path to “healing”: 

Seems like a lot to ask. Would three out of four do the trick?

Also see:

How to Take a Walk in Buffalo – Look Up! Roofs and Roofers

How to Take a Walk in Buffalo – Buffalo’s Mini-Marts

How to Take a Walk in Buffalo – Remembering 9/11

How to Take a Walk in Buffalo – Street Humor

How to Take a Walk in Buffalo – The Yard as Spectacle

How to Take a Walk in Buffalo – Beware of (the) Dog

How to Take a Walk in Buffalo — Halloween

How to Take a Walk in Buffalo: Little-Known Trails and Paths

© William Graebner 

The post How to Take a Walk—in Buffalo, and Beyond: Church Board Advice  appeared first on Buffalo Rising.

Generated by Feedzy